What would become known as scatting (also called scat singing) could only be heard in the brass bands of New Orleans. However when Louis Armstrong recorded Heebie Jeebies with Okeh Records in 1926, scatting was introduced to a much wider audience. During the 1920s recording time was so expensive that when Armstrong's music fell off his stand instead of stopping the session to pick it up he just began to scat. This would change singing forever as even today many singers use this technique across a variety of musical genres.
Known as the "Empress of the Blues," Bessie Smith is one of the greatest female blues singers in the world. She recorded "Down Hearted Blues" in 1923 on the Columbia Record label. Listen to her sing in the short film above and think about how the blues has influenced many musical genres including country music and R&B.
Use the library resources below to locate scholarly information on composers, performers, or musical genres related to the Harlem Renaissance.
Published from 1987 to 1995, Black Sacred Music sought to establish theomusicology—a theologically informed musicology—as a distinct discipline, incorporating methods from anthropology, sociology, psychology, and philosophy to examine the full range of black sacred music. Topics included black secular music, the early days of rap, soul, jazz, civil rights songs, the religious music of Africa and the African diaspora, spirituals, gospel music, and the music of the black church.
The journal consisted of scholarly articles, essays, hymns and folk songs, sermons, historical reprints, and reviews of books, hymn books, and recordings. It also published volumes of archival writings by R. Nathaniel Dett, William Grant Still, and Willis Laurence James.
RTÉ Concert Orchestra pays tribute to Duke Ellington and his legendary arrangements from this time period. Listen to this album in its entirety on Naxos Music Library.
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Shelf 3rd Flr - Main | ML3556.8.N5 B6 1990 |
"This book, from the series Contributions in Afro-American and African Studies, examines African-American musical activity during the Harlem Renaissance, a movement that began in the mid-1920s as an effort to secure economic, social, and cultural equality. The musicians whose compositions, performances, and lives are described worked primarily in the United States and England; the book includes a bibliography of works composed from 1919 to 1936."-Music Educators Journal
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Shelf 3rd Flr - Main |
In Deep River Paul Allen Anderson focuses on the role of African American folk music in the Renaissance aesthetic and in political debates about racial performance, social memory, and national identity. This book elucidates how spirituals, African American concert music, the blues, and jazz became symbolic sites of social memory and anticipation during the Harlem Renaissance.
Click on a NAME or IMAGE to find library resources about a composer or performer from this time period.